The “Paeizeh” project is rooted in the metaphors of autumn: descent, impermanence, and raw natural beauty.

It asks a central question — what would “falling” look like in architectural form?

The answer emerges through fractured lines, sharp angles, and unrefined materials — forms balanced on the edge of stillness and erosion.

Every surface, shadow, and spatial break evokes dry leaves, trembling branches, and the quiet melancholy of fall.

“Paeizeh” is more than architecture — it’s a spatial experience of slowness, fragility, and the poetic rhythm of change.